Tuesday, August 26, 2014

Mardaani : Neat Commercial Entertainer !!!

This weekend release “Mardaani” can pretty much boast of delivering the same product its marketing campaign (Read “Trailer”) promised. The film is a neat, no nonsense action thriller, with a very relevant theme and minus songs (again a welcome change) from regular YRF Movies.

The movie is based on the theme of child trafficking in India, and how the nexus works between common man, businessman, criminals and politicians. Today in India, it is an organized crime, done pretty much under the nose of the law, with blessings of powerful men who supposedly are the chosen ones by us. The story, revolves around the life of cop Shivani Shivaji Roy, played by Rani Mukjerjee, how she beautifully balances out her personal and professional life, and takes a dramatic twist when her foster child Pyaari gets kidnapped by a trafficking racket, thereon the story turns on into a cat and mouse chase, leading to twist and turns and ends with a powerful climax.
The story looks very real, given its characters and the way screenplay has been etched out. From the body language, to the finer nuances, to the location its shot, the film gives a very raw feel and makes it highly believable. The equation of Shivani with her colleagues or with her family (husband and niece) is well depicted. The scenes of the movies juxtapose well between being dramatic and subtle, particularly the telephonic scenes between Shivani and Karan (the antagonist).

Though the story deals with a social issue of prostitution, it unfolds in a racy thriller format, with a clear objective to keep the audience hooked and entertained.


Rani Mukherjee puts her weight behind the role of Shivani, literally and figuratively, giving a power-packed performance. Known for her versatility, this performance once again will feature in the distinction category under the string of her top performances. An extra star to her, for making Shivani extremely real and yet again spurting those expletives like no other heroine. It is said the protagonist looks dim, if the antagonist is weak. But the film boasts of a very cool and suave villain Karan, played by Tahir Raj Bhasin, who is a Delhite in real life and plays Denace the Menace Delhite in the movie to the tee. Apart from the leads, the film can boast of some pretty solid acting from the entire star cast. Writer Gopi Puthran and director Pradip Sarkar needs to be given a pat for giving solid characters, especially the role of antagonist, who instead of being larger than life, is just another regular college dropout entered crime, for money.

While the first half of the movie is very real, it’s the second half that kind of takes a typical hindi movie route where it shoulders upon the protagonist to take upon her shoulders to turn things right. An over the top unreal climax doesn’t help either. The other irony which my friend pointed about the movie other day was although the movie talks about women empowerment, it is titled Mardaani. Barring aside these flaws, it still is definitely one time watch: thanks to the solid performances, entertaining screenplay mostly believable and the theme it chose to narrate. Pretty good Commercial Entertainer!!!!




 
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Saturday, August 2, 2014

Happy "UnFriendship" Day

Life is a full circle – and in early part of the circle – we encounter with an entity called Friends –  and with each passing year the universe of this so called term Friend – grows bigger and wider in number– and soon we enter the vicious circle of friends where we end up terming each one we know outside our family as friends. While we may use the term Friend casually often in lack of a suitable alternative, this often leads to disillusionment.  We forget that they are acquaintances, associates, colleagues, partners and not necessarily friend. But then we love to define our relationships and all such unaccounted ones fall in category of friends.
 
 
We live in an era, where friendship is defined by one who likes our Face book status regularly, writes good comments on our profile picture, heaps false praises on everything we share or do or the ones from whom we benefit from personally or professionally. These are people who validate to us that we are happy in our lives, through their likes and comments. They make us feel the “star” in our own wedding to honeymoon picture to baby picture by their cute comments. We secretly regret that the journey from wedding to baby cannot be shared with them; otherwise we would have loved to get their likes and comments about our other skills too. Even the ugliest looking couple, gets to hear they are looking so cute in that picture. We know they lie, but we love those lies. Their lies give us high. But the day they stop to lie,we leave them to die. We hate people who shows courage to challenge us, points out our follies, we resist, call them names and bitch about them conveniently till our ego satisfies and our self-esteem is held high.
 
 
When we were kids or in our growing years in school or colleges, perhaps when we were a little more tolerance, a little less selfish and perhaps a little more honest, we carefully listened to what our friends said – friends whom we studied with, whom we played with. They were ones who did not fear to tell the truth at our face, scolded us when they thought we were wrong, hugged us when we needed them, saved us from teachers and most importantly loved us unconditionally – for what we are and not our pretence.
 
Every invention probably brings with it seeds of destruction. Technology has single-handedly ensured that the blood and flesh of a relationship is substituted by virtual, unreal world, where there are momentary happiness and high like a dose of cocaine or marijuana. Those timeless personalized long conversations; long letters has got substituted by social apps and games. Candy crush has substituted the longing for real life crush. Our personalities, our choice of people have been defined by what gadgets we carry or probably what app we use. It’s time we get back to our old lives. It’s time to “un-friend” the excess baggage that has rotten us from inside and cleanse.
 
 
For a change let’s celebrate “ Happy Unfriendship Day” – make that long friend list on social media a little leaner and get ourselves a little closer to people who really mean the world to us and vice-versa. We need people who have time for us and not just their mere likes on our posts. People who would hug us warmly when we need them and not express his/her love through smiley and calling us "darling", "sweety" and "deary". We all share a responsibility to protect that sacred relationship called “Friendship” which is under serious threat of  extinction – the one God has enabled us to create for ourselves with love and not the ones Face book recommended us to create.

       
N.B Images used are taken from Google
 

Saturday, June 28, 2014

Ek Villain: Its in the Plot

There is no doubt that, “Ek Villain” in recent times has been one of the films which have created a lot of curiosity through its trailer and its chartbuster music only added to the hype. Mohit Suri, who is known to direct Thrillers, had last directed a love story Ashiqui 2, has tried to blend the two genre with his latest film.
 
The film is rumoured to be a take-off a Korean film with desi love tadka. “Ek Villain” is a story of 2 antagonists Guru and Rakesh – how their love makes them choose a different path from what they ought to be and how they crisis-cross each other’s path only  to make an unforgettable impact. While the basic premise is interesting, it is the screenplay that falls flat. The film begins on a high, and then juggles between the past and present, rather struggles to keep the interest of the audience going. With zero twist in the plot and audience knowing who is the villain within first 20 minutes of the movie, the film rests upon its lead characters and moments between them to keep the film going along with its music popping up in between. The film neither scores as a thriller not really up there as a love story; however the film has lot of blood gore.

However the film has 3  high points – the characterization of the main protagonists or antagonists in this case, the performances and its soulful music, which probably just add up to make it a one- time watch. The romantic moment between Guru and Ayesha adds to the emotional base of the movie and provides the much needed lighter moments in this otherwise dark story. The irony of the film lies in its character- while one turns in a way hero for his girl trying to be a villain and the other turns villain trying to be hero in front of his wife’s eyes.
 
Shraddha Kapoor is delightful to watch on-screen and oozes her own charm and innocence. However when it comes to acting, she is at best average. But she has a lovely mellifluous voice. Aamna Sharif, as Ritesh’s wife, surprises with a spirited performance. But its the male leads who saves the day-  Ritesh Deshmukh, who is known for his comic timing, gets an author backed role of a psychologically challenged person and he kills it totally with his menacing act, literally and figuratively. While Ritesh’s performance has been critically acclaimed wide across, I somehow feel its Siddharth, who holds the film together, by delivering an intense silent performance. The expression in his eyes  almost depicts the graph of the story, from anger to hope to love to pathos to despair and back to hope again.

 Mohit Suri yet again manages to show case his talent with great music, good characterization and performances in his film, but as usual in this one too his story and screenplay ironically becomes the main Villain.

Sunday, June 8, 2014

Book Review : The Bhairav Putras



Book : The Bhairav Putras
Author : Suhail Mathur
Published by : Red Ink Publishers
Genre: Fiction/Novel
Pages: 343
Price: INR 245
ISBN: 9788192932491

On the Jacket: The Bhairav Putras, set on backdrop of Pre-independence era where India was fighting for its independence from British Raj, is a story of group of brave men, who chose to challenge the powerful British and uproot them of their very existence, from their town of Bhairavgarh. The story narrates the valiant effort of these brave men, their challenges, their sacrifices and most importantly how they stood for each other when it mattered. But don't mistake this for just another story of Indian freedom movement, the story comes with elements of mythology and with grand twist. We often have heard the idiom Fortune favours the brave, but one has to read the book to find out who favors the brave.

Review:

The cover-page is beautifully designed and had elements which generated enough interest in me to pick up the book and frankly speaking, it was a good decision.

Plot: The book in terms of plot is a refreshing change from the rom-coms that have flooded in the Indian market in the name of new age writing and contemporary story telling. The plot weaves a unique tale of freedom fight, garbed under a thriller, with larger than life twists. Only draw-back are the co-incidences that happen too often and too easy.

Characters: The characters are uniformly written and the graph of the main protagonist grows with the story. Among all the characters, character of Bira and Keshav stands out. It is very interesting how the writers have connected the characters of the story with the freedom fighters of the real freedom movement. Also the fact that the character comes from different sects of life – from a Zamindar to a priest’s son to a washer man to unite for a common cause specially at a time when division of society was highly prevalent – is a nice underlying message from the author.

The characters successfully evoke passion in the mind of readers. One however wished a little more flesh in the character of Gita, who plays love interest of Bira and also supports in the revolution. One should watch out for the big twist in the end and beautiful inter-linking of some of the characters with mythology.

Narration: The writer has chosen a simple lucid style to narrate the story, that is easy on eyes and to read. The cleverly used one-liners add a solid punch to the narration. The writer effort to detailing specially the nature or the combats between the revolutionary and British are laudable and stand out in the book. In some of the sequences however writing looks inconsistent and there is a continuity problem. The clever twist and turns in the story keeps the reader hooked and the author keeps his best for the grand climax. Few of the scenes specially one which elements of mythology, are highly creative and works wonders for the book.

The book could have been edited better in few portions. But keeping aside, this minor glitches, The Bhairav Putras, is truly an excellent effort by first time author Suhail Mathur, who has achieved two significant elements through this book : a) A novel concept b) Good Characterization and masterful amalgamation of history and mythology in one platter. If you are bored the run of mill stuff, this book is likely to give you that much needed break. Recommended!!!


Disclaimer: Incidentally this is my first review of any book too J

Saturday, May 17, 2014

Resurrection of Brand Modi: A Harvard Case Study?



The curtains of General Elections of 2014 are finally drawn. It has been nothing short of a spectacular Blockbuster Movie with a resounding and riveting climax that one may have seen in one of those Marvel Comics Superhero movies. Only that in this case the Action, Drama, Emotions everything was pitched in real life for viewing and to experience. In this long drawn electoral battle, which was fought pretty bitterly, Bharatiya Janata Party (BJP) emerged victorious with a huge margin with India voting for its current blue-eyed boy Narendra Modi. Till a fortnight ago, people were debating whether the so called “Modi” wave is actual or fictitious; it can be safely assumed that all doubts have been put to rest. In fact yesterday the joke started in social media was it wasn’t a wave but a Tsunami that drowned Congress’s fortune completely. By the day end, people said it wasn’t Tsunami but a TsunNamo. That way this election has been very symbolic right from “Maa Ganga ne bulaya hain” to “Har Bharatbasi jeetega”, with underlying political overtures.
This has been that kind of election where India saw maximum citizen involvement including the affluent class who had stayed away from politics in the past. Modi had successfully polarised India into two schools of thoughts– one who saw him as Leader who would build New India and other who thought was a threat to democracy. There was hardly a third set. We witnessed an upsurge in social media, where friends turned foes, guards were thrown off, there were no mincing of words and verbal duel happening all across the space all for one man -Modi. Hence it wouldn’t be a bad idea to deconstruct the Brand Modi, purely from an academic point of view, to understand how Modi became such a strong brand, that people talked about both way and eventually the marketing campaign of BJP, which took a huge risk to build it around Modi but eventually got back rich dividends.

Phillip Kotler, who is the renowned Marketing Guru talked about Marketing Mix – which basically talked about the 4Ps of Marketing – Product, Place, Pricing and Promotion. Basically putting the right product, in the right place, at the right price in the right time. But starting point of any product had to begin with understanding the basic need of the consumer and assess if there is a demand for it and existing supply.
India was going through a crisis on back-drop of recession and subsequent economic slowdown, complemented by Policy Paralysis, Multiple High Level Corruption, Inflation, Jobs, Security issues and most importantly lack of vision and strong leadership by the current government. While India saw meteoric rise of Arvind Kejirwal, as voice of Mango people of India but euphoria was short-lived with his exit from Delhi government. Though he chose to fight in the Lok Sabha election, including standing against Narendra Modi, from Varanasi, doubts in the mind of people on his sustainability was already seeded. The ruling party had put forward their royal blue-eyed boy Rahul Gandhi as their messiah but his connect to people of India  was like former belonged to Mars while the latter belonged to Venus. So from a market standpoint, there was clearly there was a gap for a good leader or organizational set-up which could bring India on right track.

Product: BJP knew that they had a product in their factory that had these core qualities of strong personality, proven track record of governance, tech-savvy, great oratory skills and could potentially be their ace-card in these elections and that can turn the fortunes for them. But the product had its own Achilles heel– he came with a heavy baggage of the past – of being a Religious Extremist, a tyrant with intolerance towards certain minority community and being seen as someone who did not do enough and had alleged linkages in Gujarat riots of 2002. While highest court of India, acquitted him of any charges, he remained a matter of discussion in the people’s court till date. But that didn’t stop Modi’s growing appeal to sect of society particularly the youth and Business class, thanks to his well marketed Gujarat Model.
While BJP was confident that it had a product that had all potential to cater to market needs, they had to eliminate the risks of its failure owing to stiff opposition they may face due to extremist image. But probably party counted on the fact that that we Indians as a nation love to move on and generally forgive and forget things of past. But it was still critical to reposition Brand Modi before relaunching for the Lok Sabha Elections 2014. Repositioning reminds me of Cadbury repositioned itself as a substitute to dessert, in recent years as “Kuch meetha ho Jaaye”. To be fair to Narendra Modi, he too had evolved a long way for being RSS worker to one of the best Chief Minister of India.
Hence Brand Modi was launched with an image makeover as Prime ministerial Candidate of BJP who could be viewed as a Leader who was ready to move beyond caste, creed and spearhead in re-building this nation into a New, Progressive India. The brand was typically addressing three kinds of needs: a) Roti, Kapda and Makan b) Jobs and Facility c) Hope and Aspiration And Brand Modi was launched with an image makeover, re-positioning as their Prime-Ministerial candidate who was ready to offer:
a)     Development across all core sectors
b)    Inclusive growth
c)     Vision for a new India
d)    Good Governance
The advantage in BJP offering was a strong decisive leader which inspired people, something the competition clearly was lacking on.
Place: For any product to be successful, it is necessary to reach out to people, through right distribution channels. The successful and effective use of multiple mediums , be it print, television, social media or technology to reach out to the maximum number of people with its message ( Read product offering) has been a key success factor of BJP. But the most telling factor that ensured this victory was their biggest distribution system – The vast network of Feet on street RSS and BJP cadres who worked relentlessly to pull off this historic victory. The biggest example would be BJP winning 71 seats out of 80 in UP which probably the biggest optimist within BJP wouldn’t have thought as well. But the herculean task was pulled off by the workers, who reached out at each home at village level with their pamphlets/videos of Modi, to communicate their product offering. They were like those numerous cells inside human body to keep it functioning well.
Apart from traditional media, BJP was more active in social media with Narendra Modi himself present on twitter, uploading his speeches interacting with his followers. 3D Hologram Rally/ Video-conferencing were the master stroke which ensured Modi had maximum reach even to far flung people in various villages in India at a limited time.“Chai pe Charcha” was another interesting platform which Modi used to discuss relevant issues and reach out to people. The multiple channels, used by Modi and BJP members in putting the product proposition to people of India, ensured the slow but steady built up of euphoria of Brand Modi that peaked at the right time and the fever reached its peak during elections. Modi’s high rhetoric speeches in multiple rallies was icing on the cake.

Pricing: In this case the price India had to pay was simple – go out, stand in the queue and cast their vote sometimes, in the soaring temperature of 40 degree plus in the heat to elect a Modi Government. BJP here too run a focussed campaign to specifically reach out to first time voters, to come out to vote. However cynics would say, India may have to pay a much bigger price for electing  Modi – whether those 39% of people who voted for them are right or cynic’s only time can tell.
Promotion: It is often said that you being good doesn’t help unless the world knows about. This election saw BJP run a very high-visibility campaign almost at your face campaign just like SRK did few years back for his film Ra.one which drew him a lot of flak. A dear friend of mine told me the other day that Manmohan Singh, despite all criticism, had practised some of best foreign policies only if people of India would know.
But BJP left no stone unturned to hype it campaign – which had a fair bit of risk in it – of revolving around Individual Brand Modi with the party as backdrop. The advertising campaign got it right from the go with a tagline that caught the fancy of people from Day 1 - the most used, abused phrase of 2014: Ab ki baar, Modi Sarkar. The creative brain behind the campaign knew fully well that given the active social media, the phrase would spread like wild fire and various by-products of the taglines i.e. joke would be invented and circulated. That’s what they precisely wanted and banked upon with an ultimate end objective that of – Brand Recall. Every time the message was circulated, Brand Modi got registered fast and thick among voters. Brand Modi was visible in hoarding to kites to sarees.

Next in the line was there cleverly disguised television campaign which addressed the need of consumer i.e. Indian citizens that of Hope and Aspiration– “Acche Din Aaane wale hain”. The ads here was rolled out in phases, covering people of different sects be it Auto–rick Shaw driver or women in villages, where they spoke how Modi would bring back Good days. This was clever marketed campaign which reflected Modi as Messiah of hope with a reassurance message and the inclusive growth Brand Modi wanted to advocate. But it is the BJP Anthem for 2014, which put across a direct co-relation between Brand Modi and Brand India. – That spoke about “Main desh mith ne doonga, Desh nahi jhookne doonga” putting across subtly to voter of India, that if Modi wins, ultimately India will win. The campaign touched the raw nerves of voters and that’s why it worked big time.
Power of any brand depends on how strong reaction evokes – both positive and negative. Brand Modi did that to the core. But most importantly it successfully invoked national sentiment among Indian voters, which eventually resulted in historic euphoria and as one would call wave ensuring a huge favourable mandate towards Modi and by virtue of same to the BJP. The critics would say BJP would have won anyways given the high anti-incumbency wave that was blowing across country irrespective of campaign – my reply to that would be yes they would have probably been single largest party with 170-180 seats but this marketing campaign boosted their chances many folds and ensured they get an absolute majority in next govt, which neither BJP nor its opponents would have thought in their wildest dream. And that’s why it wouldn’t be surprising if Harvard picks this campaign as Case Study for future reference and analysis of Successful Marketing of Brands. If that happens three men needs to be applauded -  Piyush Pandey, Sam Balsara and Prasoon Joshi, the real brains behind the campaign !!!!